His art told the story of the Jim Crow South. And in a turn of events that no one had expected, he became an artist of some renown: Carving figures into leather, a craft he had learned in prison, he re-created vivid scenes from his life, of picking cotton, being lynched and busting rocks in his prison stripes. He married, moved north and had eight children. The only reason he was not killed was that another white man stepped in, saying there were better things that could be done with Rembert, like throwing him back in jail, from which he had just escaped.Īfter seven years of incarceration and hard labor for stealing a car, taking a gun from a deputy sheriff and escaping from prison, Rembert was released. One man came at him with a knife and nearly castrated him, sending blood gushing down his body. Just 21, he had been stripped of his clothes by a mob of white men and hoisted upside down from a tree, a noose around his ankles. Winfred Rembert survived a near-lynching in rural Georgia in 1967.
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